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・ Edward Price Furber
・ Edward Prioleau Warren
・ Edward Prior
・ Edward Pritchard
・ Edward Pritchard Gee
・ Edward Peirce House-Henderson House of Northeastern University
・ Edward Pelham Brenton
・ Edward Pelham-Clinton, 10th Duke of Newcastle
・ Edward Pellew Wilson, Jr.
・ Edward Pellew, 1st Viscount Exmouth
・ Edward Pellew, 3rd Viscount Exmouth
・ Edward Pellew, 4th Viscount Exmouth
・ Edward Pelling
・ Edward Peltz
・ Edward Pemberton Leach
Edward Penfield
・ Edward Penn
・ Edward Pennefather
・ Edward Pennell
・ Edward Pennell Brooks
・ Edward Penniman House and Barn
・ Edward Penny
・ Edward Penton
・ Edward Pepper
・ Edward Percival Rose
・ Edward Percival Wright
・ Edward Percy Hallam
・ Edward Percy Moran
・ Edward Percy Smith
・ Edward Percy Stebbing


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Edward Penfield : ウィキペディア英語版
Edward Penfield

Edward Penfield (June 2, 1866 – February 8, 1925) was a leading American illustrator in the era known as the "Golden Age of American Illustration" and he is considered the father of the American poster. His work has been included in almost every major book on American Illustration or the history of the poster. He is also a major figure in the evolution of graphic design.〔Walt Reed, America's Great Illustrators, Abbeville Press, 1979, p. 114〕
==Youth and training==
He was born June 2, 1866 in Brooklyn, New York to Ellen Lock Moore and Josiah B. Penfield. He first studied at New York's Art Students League. He worked under George de Forest Brush, who was known for his romantic scenes of American Indian life. He first worked for ''Harper's Weekly'' and later became art director. He developed his own unique style of simplified figures with bold outlines in settings free of extraneous detail. He wrote and published a book titled ''Holland Sketches'', which was published by Scribner's in 1907.〔See Holland Sketches〕
Penfield lived in New Rochelle, New York, a popular art colony among actors, writers and artists of the period. The community was most well known for its unprecedented number of prominent American illustrators.〔(Progressive Architecture – Volume 3, 1922 )〕 He was one of the founding members of the New Rochelle Art Association which was organized in 1912.

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